We will examine one of the sketches from the sketch page.  This drawing was originally done with a Papermate™ ink pen. 

I tend to use ink pens for leisure sketching and for test drawings that may be developed further if  I like the progress of the picture.  You might consider my ink drawings as my first-idea sketches.   Also, since the ink cannot be erased, I am forced not to rely on erasers to create a good sketch.  The eraser is an important tool in your drawing kit but it must not be relied upon to keep your artwork accurate or clean. 

Learn to sketch clean and your finished product will likewise be clean.  I do not however, recommend that you sketch with an ink pen.  I do use a pencil when I start a sketch that I intend to become a finished drawing.

 
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Picture 1 Picture 2 Picture 3

We begin by looking at the photo from which the sketch was derived  in Picture 1 after which, we see the final sketch in Picture 2.  If you look closely in Picture 3, you will see the guidelines of the girl's frame drawn very lightly.   I have highlighted those guidelines in Picture 4.  Click on any picture to see a larger image.   Practice making your initial guidelines as light as possible.  They should be barely visible to your eyes.  Remember they are only guidelines and will not be a part of the final drawing.  If they need to be erased later it will be easier to do so and will make a cleaner drawing if the guidelines are drawn in lightly.  

 

Sometimes I draw my guidelines so lightly that I do not erase them later but rather, I may use them as part of something in the final picture.  Other times, the final shading may cover them up.  It is always best to use the eraser as little as possible.   In picture 3, you can see the actual initial guidelines.  I have purposely darkened them here so that that you can see that the initial guideline takes on the same pose as the final drawing.  The initial guideline should show action.  It is the real life of the the picture.  If the guideline does not come alive, then most likely, the final picture will not either.

 
   
Picture 4 Picture 5 Picture 6
Picture 4 shows the final drawing with the frame highlighted in blue.   In Picture 5,  I have added the basic shapes  of the figure.  Picture 6 shows the completed figure with all of the major shapes added.  You do not want to focus on detail at this time.  You should have a basic figure that shows the action of your subject.  If you cannot see the action at this time reexamine your drawing and make the corrections.   Never begin to focus on the detail until you have completed this stage.
 
   
Picture 7 Picture 8 Picture 9
Once you are satisfied with the positioning of the figure and it's dimensions, you can begin detailing the figure.  This stage is like connecting the dots only in reality you are connecting the shapes.  Here, you will make your figure resemble the original and begin the process of adding the details.  As you connect the shapes, you must always be aware  to make those shapes show depth and dimension. 

 

Notice the dotted lines on Picture 8.   I noticed that I did not draw in the left arm correctly and was not aware of its true shape and position as most of it is hidden by the body.  The dotted lines show the correction for the left arm.  Notice also that even though a part the figure will not be seen in the finished drawing it is always good to lightly sketch it in so that you can keep the visible parts of that element in proper perspective.   Picture 9 shows the completed drawing with the stripes added.  Make sure that the stripes follow the contours of the body.  If done correctly, it is the stripes that add so much to the effect of depth and dimension to this drawing.  Examine the striped ball and vase examples in section one.

 
     

   
Picture 10 Picture 11
Picture 10 demonstrates the observance of how the stripes follow the contours of the body.  Otherwise you may end up with a figure that looks stilted.  Notice that the wrinkles of the clothing were placed in Picture 7.  Wrinkles and other artifacts should always be positioned before adding stripes, spots, plaids, or other decorations. 

Draw the stripes so that they follow the wrinkles in the clothing.  The human body offers many challenges when drawing decorated clothing.  Notice that the stripes of the chest in Picture 11 follow the contours of the chest.  You should visualize the individual shapes of each body part and make the stripes express that shape of that component.  If done correctly, the stripes will suggest the depth and dimension for you.

 
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